Friday, February 14, 2020

Fake News




With the advent of social media, we may be excused if we feel that fake news is a recent phenomenon. But it has always been there. One could come across it off and on, especially at times of great political or social turmoil. One such macabre fake news that I remember was during the emergency. People told each other, in hushed tones, that if you looked at the sky at night you could see four white clad men carrying a dead body for cremation, with a white clad, long haired woman wailing and walking behind it. I was already twenty-one then but still, I had a bone chilling experience. Fortunately, my parents had always pooh-poohed such stuff and we continued to have our dinner in the open yard of the house that summer without ever witnessing the dreaded tableau in the sky.

This story is so outlandish that I sometimes wonder if it is a product of my own imagination!

Fast forward to the mid-nineties.

I was working in a factory. Almost every day, on the way to work, I stopped at a roadside shop to buy a banana or two as a midday snack. I often saw a man at the shop having tea and chatting with the shopkeeper.

One day, this man was there when I went to the shop. He was clad, as usual, in a saffron dhoti and a white shirt. His face, with a finely trimmed predominantly grey moustache, was decorated with religious marks of sandal paste on his forehead and temple. He had a lit cigarette between the taut fingers of his left hand. The difference was that he had two reluctant listeners, who looked like retired gentlemen. He was haranguing them with a supercilious air. What he was saying was this. (The whole conversation was in Kannada* but I have given an English version of it here.)

“The imam of the Jama Masjid of Delhi had given a statement when Americans landed on the moon. He said, how can mere humans go and land on the moon! These Americans are fooling everyone. Imagine thinking so in this age! So what we are trying to do is educate these people for their own sake.”

This was like a red rag to a bull, for me. Or should I say, a saffron rag to the red bull in me? I turned to him and said, “Why? Did not the Shankaracharya of Puri say exactly the same thing? Moon is our god. How can humans land on him? So, please! You go educate your people, we will take care of our own people.”

I would like to imagine that he never caught on that I was not a Muslim! 

I turned to his captive audience to tell them not to listen to such nonsense but they had quietly disappeared as if into thin air! And the “uplifter” of Muslims had turned away from me without a word.

I bought my supply of bananas and went on my way to work.

* ಉದ್ಧಾರಕನ ಮಾತನ್ನು ಓದುವಾಗ ದಕ್ಷಿಣ ಕನ್ನಡದವರ ಧಾಟಿಯಲ್ಲಿ ಓದಿಕೊಂಡರೆ ಆತನ ಮಾತಿನ ಧಾಟಿ ಅರಿವಾದೀತು.

ಉದ್ಧಾರಕ: "ಅಮೆರಿಕದವ್ರು ಚಂದ್ರನ ಮೇಲೆ ಇಳಿದಾಗ, ಜಾಮಾ ಮಸೀದಿಯ ಇಮಾಮ ಏನಂದ ಗೊತ್ತುಂಟ? ? "ಅದು ಹೇಗೆ ಸಾಧ್ಯ? ಹುಲು ಮನುಷ್ಯರು ಚಂದ್ರನ ಮೇಲೆ ಹೋಗಲು ಹೇಗೆ ಸಾಧ್ಯ? ಅಮೆರಿಕನ್ನರು ಎಲ್ಲರಿಗೂ ಮೋಸ ಮಾಡ್ತಿದಾರೆ!" ಅಂದ. ಈ ಕಾಲದಲ್ಲಿ ಹಾಗೆ ಹೇಳೋದು! ಅದಿಕ್ಕೇ, ನಾವು ಈ ಜನರನ್ನು ಉದ್ಧಾರ ಮಾಡುವ ಅಂತ ಹೊರಟಿದ್ದೀವಿ, ಅಷ್ಟೆ!"

ನಾನು: "ಯಾಕೆ ಸ್ವಾಮಿ? ಪುರಿಯ ನಿಮ್ಮ ಶಂಕರಾಚಾರ್ಯರೂ ಅದೇ ಅಲ್ವ ಹೇಳಿದ್ದು? "ಚಂದ್ರ ದೇವರು! ಮನುಷ್ಯರು ಅವನ ಮೇಲೆ ಇಳಿಯೋಣ ಅಂದ್ರೇನು", ಅಂತ? ನೀವು ನಿಮ್ಮವರನ್ನ ಉದ್ಧಾರ ಮಾಡ್ಕೊಳಿ. ನಮ್ಮವರನ್ನ ನಾವು ನೋಡ್ಕೋತೀವಿ"


Saturday, January 25, 2020

Market Update


Bangalore, Jan 25, 2020: There has been a surge in the sales of flattened rice (poha/avalakki/avil)  all over the country. The traders were initially surprised by the inexplicable surge because the sales graph is usually flat except for seasonal surges in some areas of the country. When they eventually found the explanation for the surge, cutting across political leanings, the traders, both retail and wholesale, they shook their heads and ordered more stocks and thanked the person who started it all.

The reason is believed to be that many people came out in support of the working class who, for various reasons, eat flattened rice quite often - even many times a day. It is also rumoured that the social media had a role to play, however inadvertent. As people started tweeting about their favourite preparations made out of Poha/avalakki/avil and posting instagram pictures of various dishes, many home makers, always grappling with the question of what to prepare for the next breakfast, had a huge choice presented to them on a platter, as it were. They then made arrangements for poha to be bought in some quantity to solve the problem for a few days at least.

It is also rumoured that brick and mortar restaurants and online food delivery services have seen an upsurge in orders for poha preparations driving the markets further up. 

ABPTP* and NATU**, two trade bodies are considering requesting people in limelight to keep making statements to keep poha in the limelight as a way of increasing sales and providing steady jobs for labourers involved in poha making all over the country.

*  Akhila Bharat Poha Traders Parishat is affiliated to BJP and is headquartered at Nagpur
** National Avil Traders Union is affiliated to CPI and is headquartered in Trivandrum

By our staff correspondent and food columnist


Saturday, January 11, 2020

That was my India. I want my India back.

He was a scientist. He had a large correspondence and hence access to stamps. I asked him if he would give me some. He said yes, but. I had to write a letter to him in English. I did and he sent me a few thousand stamps. From countries I had not even heard of until then, Opened my eyes to the larger world.

He had an arty portrait of himself done by none other than M F Husain.

He opened my eyes towards, and changed my opinion of, abstract art. I am forever grateful to him.

I called him Mama. Uncle. That is, my mother’s brother.

I called him Rahmanmama.

That was my India. India I grew up in. I want my India back.

I was playing in school. Someone swung a softball bat. I took the full force of it on my left temple. My left eye was swollen shut.

Two friends sat me on a bicycle. Pushed it all the way to a doctor’s clinic. They did not ride it because the bumps would hurt my injured head. Dropped me home the same way. They were breathing hard because the last kilometer was all the way up.

Shabbir and Khalid. Forever my friends. 

That was my India. India I grew up in. I want my India back.

Our Social Studies teacher took us on a ride through Indian history in every class. One story segueing into another. 

One impertinent classmate dared to ask. You were on one story and now on another. What happened to the first one?

The teacher was stunned.

“ಏಯ್, ಹರೀಕತೆ ಒಳ್ಗೆ ಉಪಾಕತೆ ಇರಕ್ಕಿಲ್ವೇನೋ? ಇದೂ ಅಂಗೇನೇ, ದೊಡ್ಡವ್ರು ಹೇಳ್ತಾ ಅವ್ರೆ. ಸುಮ್ಗೆ ಕುಂತಕೊಂಡ್ ಕೇಳೋ1” 

Piped up Shabbir in his deep voice and shut the ipertinent fellow up. 

The classes continued as if this did not happen.

That was my India. India I grew up in. I want my India back.

A hall in an engineering college, run by a religious organisation.

Shahnai Nawaz Khan Saheb Ustad Bismillah Khan was into an intricate passage in raag Yaman. Stops mid passage and challenges the students. Iska dharm kyaa hai? Na Hindu, na Mussalmaan, Na isAi. 

The walls of the hall was decorated with symbols of various religions of the world. Carved in wood. 

Khan saheb points to the symbols on the wall and declares. Look at them. We are all one.

That was my India. India I grew up in. I want my India back.


H A B Parpia. The late director of a central research institute. Legend in his family is that they are the direct descendents of Lord Rama and everyone in the family has a given name to indicate just that. His name was Hussain Ali Bhimji Parpia.

That was my India. India I grew up in. I want my India back.

The old man had heard my father’s talk on All India Radio about Jagalur Imam3 (my grandfather’s close friend). He had taught Urdu to Jagalur Imam’s children, while he was a teacher in the Urdu primary school in Jagalur. He had come to meet my father to express his great admiration for Jagalur Imam and say how happy he was that my dad had also spoken highly of him.

He was a retired employee of the education department. Thanks to his close friends who spoke Urdu, he too had learnt it. His knowledge of the language was found good enough for him to be appointed (with promotion) to teach Urdu. 

He was a devout looking old man in highly traditional clothes. He wore the religious marks of a Vaishnavite Brahmin on his forehead and temples. 


That was my India. India I grew up in. I want my India back.


The Babri Masjid is destroyed. Curfew is imposed. Even in my beloved city. A few had brought shame on my city, with bloodshed. I felt.

Tempers cool. Calm prevails. The curfew ends.

I have to travel on work. I go to the bus stand early in the morning. There are a few passengers. Quite a few buses. Many in road transport corporation uniforms. Nothing moves. Everyone is apprehensive. The expectant passengers are grouped together. Talking to each other in hushed voices.

A diminutive man in uniform approaches us. A knitted prayer cap firmly on head.

“ನೋಡಿ ಸೋಮಿ, ನನ್ಗೆ ಗಾಡಿ ಓಡಿಸ್ಬೇಕು. ನಿಮ್ಗೆ ಬೆಂಗ್ಳೂರ್ಗೆ ಹೋಗ್ಬೇಕು. ಇವೆಲ್ಲ ರಾಜಕೀಯ ಸೂಳೆಮಕ್ಳ ಗಲಾಟೆ. ಬರ್ತೀರಾ ಹೋಗೋಣ?”2

We all get into the bus and reach Bangalore without further incident.

After the mindless mayhem, back to normal. 

There is hope.


That was my India. Just barely. But, I want my India back.

A colleague and I sit in a restaurant and talk about everything under the sun. A cultured man. Sings Mohammad Rafi songs well, with passion and understanding.

In the middle of it all he says, “When in college all my friends were Hindus. They all called me ತುರ್ಕ (turka. Kannada slang for a mulsim). I belonged. 

Now no one calls me that. Everyone is politically correct. The intimacy is gone. I feel I have been expelled. I feel I do not belong.

Pain and nostalgia. Hard to miss.

That was a glimpse of my India. India I grew up in. I want my India back.



  1. He spoke in the patois of many Muslims in Mysore. I can’t translate the quaintness of that. But what he said was, “Aren’t there subsidiary stories in Harikathe? This is also like that. An elder is telling you something. So, shut up and listen”.

Harikathe is an art form in which a story relating to a god is narrated in formal style with music and illustrating each point in the main story with a subsidiary story and song.

  1. “Look here. I have to drive. You have to travel. All these troubles are thanks to the political beeps. Shall we go?” - spoken in the same patois as before.